Ganiyy's collection delves into Nigeria's persistent struggle with inadequate power supply and its broader societal implications. Through his artworks, he navigates the complexities of daily life and with his use of vibrant colours and motifs, he offers a visually captivating lens into the experiences of ordinary Nigerians.
Beneath the humor lies a subtle commentary on the normalization of suffering and the lack of progress despite decades of governmental failures. Ganiyy's works prompt viewers to reflect on broader societal norms and governance issues.
Avoiding overt political criticism, Ganiyy focuses on the everyday challenges faced by himself and his neighbours. Humor infuses his works, reflecting the resilience and spirit of the Nigerian people. Scenes such as the iconic "NEPA man" scaling a pole evoke laughter while symbolizing the system's unreliability, he is a symbol of what they despise yet he is also their saviour.
He takes on a role of artist as socialjournalist, Ganiyy confronts the societal misunderstandings and lack of recognition faced by artists. His works serve as vehicles for social commentary and critique, highlighting the challenges faced by those who engage with societal issues and how they are regarded negatively by those he speaks for.
In essence, "Wired and Unwired" invites viewers to engage with the complex web of societal issues intertwined with Nigeria's power crisis. Through celebration of resilience and humor, Ganiyy's exhibition serves as a powerful reflection on the Nigerian experience.
